The Spark of Creation

The Spark of Creation

I’ve been doing some soul searching, folks. A bulk of my time has been devoted to staring into the abyss. Here’s what I have to say: The Abyss is abysmal, and either get busy livin’ or get busy dying.

In my youth (which I still claim) I spent the entirety of my time outside school devoted to performance art. When I wasn’t in class, you could find me in audition or rehearsal. If I wasn’t cast, I would volunteer to be at every rehearsal regardless. That is how I began to stage manage.

I stage managed at least one show a year at Clark, and usually another at Edison  highschool. When I went to college I declared a double major in Technical Theatre and Acting/Directing, and I Stage Managed the first show my freshman year (which was The Screams of Kitty Genovese, an opera based on the true 1964 story of New Yorker Kitty Genovese who was stabbed to death outside her home while 38 neighbors watched from their windows). It was important for me to stage manage The Screams of Kitty Genovese because I wanted to be in the rehearsal room whether or not I was cast (I wasn’t, though I killed my audition and earned some respect as the only freshman to make it through to callbacks for the role of Betty) – and stage managing meant I could observe. I was lucky to be at a university that fostered my interests in both ways – many universities would have directed me one way or another. There are those that argue that SE did me a disservice by allowing me to declare both a tech and performance major. Perhaps it would have been better for me to come against the decision earlier in my career, but I am thankful I got to explore both paths to their fullest extent.

I think I’m a good stage manager. I run a tight room in a nurturing way. I take my job seriously, but with a lighter touch than some Stage Managers. I will admit, that sometimes I need a heavier hand. There’s always room for improvement. But I do my best and I’m proud of the work I do.

I moved to Chicago to perform, but fell back to stage management pretty quickly. And why not? The shows I’ve worked on have been interesting and wonderful experiences. I live my life by the rule “never stop learning” and I have accomplished that in every project I do. Hell, I worked on my first world-premier show (with the playwright in the room) this year. Every experience is a learning experience and I’m thankful to work with talented professionals who keep me learning.

When Katrina: Mother-in-Law of ’em All closes, I will be taking a hiatus from stage management. I’m certain that this decision is right for me, but it’s bittersweet. I’m humbled and grateful for all the blessings in my life. I have the spark of creation and I’m looking forward to fostering it in other avenues.

 

 

Being Alive

It is the first day of a new year, which is always celebrated in twofold – both by looking back and reflecting on lessons the last year taught me and by looking forward to lessons the new one will bring. I’d like to start by writing an open letter to the year two thousand and thirteen. You can read last year’s reflections if you need a catch-up.


Love's Labour's Lost2013, we became fast friends. I started the year with directing a production of William Shakespeare’s Love’s Labour’s Lost at Clark Youth Theatre. The cast amused and amazed me every night at rehearsals, and I looked forward to every moment spent working with the text, cast, and crew. As I locked up the building each night I would pinch myself to remind myself that it was real. What an enjoyable experience. I also spent the late winter/spring working with students of the performing arts at Henthorne, with all kinds of kids that had creativity that I envied and encouraged. I think of them often.

As spring came to a close, Max and I prepared for a big move: Chicago. Ah, Chicago – a city that can be both romantic and gritty, often at the same time. The move was the hard, I’ll admit. I don’t need to tell you how sentimental I can be, and I had grown very attached to my life in Tulsa. While packing one of what felt like a million boxes, I would think to myself “what am I doing? This is it. I have a dream-job, a wonderful support group of friends and family, why the hell am I leaving it behind?!” ChicagolandTo be honest, sometimes I still think those things. I would stop and take a deep breath and try to capture the moment I was in, the way the sunlight felt on the balcony overlooking the river or the shave-and-a-haircut knock that meant someone loved me. We tried to Mecca and Zach at Sidetracksfit it all in, every place that we called our own. We flew into town for two days in June, hoping to find a home and start a lease on July 1st. It was a whirlwind, something that excited me and terrified me alone… but with Max it never was never overwhelming. We worked as a team, made things happen for ourselves, and all the puzzle pieces seemed to fall into place. It was a ballet.

We came home to Chicago on Sunday, June 30th, with a motley crew of movers we call our friends. Let me just say that we wouldn’t have been able to move without the help of our friends. They helped us pack and load the cars and trailers. Some even drove with us overnight to Chicago to arrive just as the sun was rising to unpack it all. We had a week with the gang in the city, celebrating our arrival in the city in the best way possible. I wish I would have taken more pictures, but we were so concerned with making the most of our time that I didn’t want to waste the time.

I'm Getting Married!Max asked me to marry him on July 3rd. We had spent the evening at Revolution Brewery, playing shuffleboard, taking a tour of the brewery, and having a great dinner. We came back to the apartment to continue celebrations. Max was suspicious but I didn’t really expect it and when the moment came and he asked the question, I couldn’t see him because I was crying so hard and I could hardly answer. Well, you must know by now that I said yes – and we are so happy to spend our life together.

Chicago sang a love song throughout the Summer and Fall. We had bright fireworks at night in July, music from the street festivals reaching our ears from the open windows, delicious foods and wonderful beers. Big smiles with Noël! When we weren’t busy being in love we looked for employment and learned the CTA. Max was hired with P.F. Changs (symmetrically – he was also working for them in Tulsa when we first started dating… you know how sentimental I am!) and I found employment with the agency City Staffing. I’m currently on assignment at Groupon’s customer service, and I enjoy my work there.

I finished the year by directing another show, Deck Your Own Friggin’ Halls, which was only a little removed from The Bard’s work I did in January. It was presented by Hobo Junction and was a member of a fantastic new-work 10-minute-play festival they do annually called Hobo Robo. I was honored to be invited to participate and extremely happy with the process with my fantastic cast! I hope to work with them all again in 2014 and beyond.

I thought that my return to Tulsa for the holidays would quench my homesickness. It did to some degree, but it was all too familiar and different at the same time. It was amazing to see the city in person again after being there in my dreams ever so often. We’ll be returning soon to look at wedding venues (!) and begin some sort of planning towards our day.

Can I just say how thankful I am that I knew you, 2013? You were amazing to me, and I’ll never forget you.

And now we find ourselves in 2014. I have high hopes, but above all I’m just so grateful. I mean, gosh… Yeah.

And They’re Off

Rehearsals begin today for Deck Your Own Friggin’ Halls, a show that will make it’s premier in HOBO ROBO 6: Hobos Roasting on an Open Fire at the Greenhouse Theatre Center.  I’ll be the first to admit that it has been a while since I’ve directed adults, but I have come to the conclusion that I direct children in the same way I direct adults. Maybe I tame down my language, but I can’t bring myself to talk down to anyone, no matter the age. If you’re in a show that I’m directing then you’re getting the same amount of respect as everyone else. We’re all peers in this room, we’re all working to create the best show we can.

Party don’t stop, y’all.

Something Wonderful

I just got a message confirming some great news. By the time I’m 26 I will have directed a show in Chicago. (How is that FUTURE for you? PERFECT?!? Get it…? Future perfect! …Guys?)

I’m pleased to announce that I am directing a 10-minute show for Hobo Junction‘s HOBO ROBO 6: Hobos Roasting on an Open Fire. Every year playwrights from all over the world submit 10-minute scripts to be produced at Chicago’s own Greenhouse Theater in a short-play festival. This year’s festival is December 2nd, 3rd, and 4th – a three night love affair with holiday-themed comedy.

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There are a lot of things I’ll need to get together concerning this project – I’m still working on securing a rehearsal space that isn’t my own living room. I think I have the right one, I’m just negotiating with the owners and setting up a tentative schedule. I’m putting feelers out for my lovely actors. Starting November 2nd we will rehearse and polish a new work – and everything else is top secret because we’re gunning to win this festival, and get our playwright a $100 prize!

I hope to see you in the audience!

It Might As Well Be Spring

It has been difficult to put my thoughts to paper recently.

I have this overwhelming sense of urgency. I’m anxious about moving. It’s a good feeling, though a bit stressful. A little bit of anxiety keeps me on my toes and moving in a forward.

I’ve been playing more ukulele in a feeble attempt to escape to my own personal island. Thinking about the sun and the waves, strumming some sweet major chords, closing my eyes and smiling.

Aside from the pressure of moving – Love’s Labour’s Lost has been an absolute pleasure to work on. I’ve got some very defined talent in the cast, a supportive crew and production team who challenges me, and a passion for the Bard. I think my cutting is good, and I’m going to keep it in my back pocket for next time this show rolls around. Eric Strauss, our music director, is a life-saver and I couldn’t do it without him. The sound is wonderfully balanced. Elyse Norman (SM) and The Clark Council have been so supportive to the production too – I couldn’t imagine this show without their help.

The long and short of it is that a lot of people are giving this show priority – and I can’t wait for you to see the finished result.

Golden Palace

Rebecca 2012

Rebecca 2012

2012 started with a flight to Minneapolis for another tour with the National Theatre for Children. Touring taught me so much about myself – I wouldn’t have traded it for the world. I met new friends, reconnected with old, and made some kids laugh. I dined at Chef Michael Symon’s Lola Bistro, hiked Appalachia, had my tarot read, prayed at the Basilica St. Lawrence, and wrote a lot of postcards. I also got to spend a couple weeks working in Cincinnati, Ohio and reconnecting with my grandparent’s roots at the Seminary. Timely – my grandmother passed away before I was finished with tour. She was my hero – a strong, powerful woman who taught me to give 100% of myself to my passions. I returned to Tulsa to celebrate her life, then went back to North Carolina to finish tour with Andy. I spent a lovely weekend walking the beaches and waterfront in Wilmington, NC, visited a wonderful Unitarian Universalist Church in Winston-Salem, and fell in love with Finnegan’s Wake. To top it all off – I spent St. Patrick’s Day with good friends in Chicago – the first of many, I hope. Flying back to Tulsa was stressful (I will never love you, Denver.) but I made it home with a better understanding of myself.

I spent a better part of 2012 trying to heal myself. An MRI showed no injury in my knee – nothing wrong. I worried I might never get over the pain. After more doctors visits than I can count, and a whole lot of BenGay, I finally was recommended to begin Physical Therapy. It has been 4 weeks since I started PT and I am happy to say that I have much less pain. What I and my doctor thought was knee pain… is actually pulled muscles from my Achilles tendon all the way to my hamstrings. Without PT I could spend the rest of my life in pain. Thankfully my pain has decreased nearly 60% and I’m doing better everyday. A combination of Dry Needling and daily stretches seems to be the trick.

This is wonderful news, but it also carries it’s own frustration. You see, even though I do have Medical Insurance, my specific plan won’t cover PT. I have to pay nearly $50 for each session out of pocket. I do it, of course, because I have to. The pain was unbearable – and there is no price I wouldn’t pay. I’m thankful I am in a position right now to be able to take care of myself. I know that there are those who can’t. I support a National Healthcare plan for this very reason. That’s my soapbox for tonight.

Another highlight of my year was working with Carly and Amber on ‘Night Mother. It was exhilarating! Creativity was beyond capacity and I will never forget the absolute joy that came from working on that show. I’m so thankful for the experience. I also am thankful for my work at Clark Theatre this year – joining the staff at the Henthorne Performing Arts Center was a childhood dream come true. I’m proud of my work there. I also helped plan the wedding of Tony and Allison Boese in November – oh my goodness I have been so busy! Where did I find all of this time?

And so I say thank you and goodbye to 2012, the year that I really met myself. My head is high as I look to the new year. I have a show in production at the start of the year, I’m teaching more classes in the spring, and the summer will be full of surprises! It might get windy. Stay tuned! Thank you all for your friendship and continued support. I love you all!

Show people


Egg nog is on the shelves, my neighbors have their house decorated with lights, and Thanksgiving is next week – must mean one thing: The Best Christmas Pageant Ever is right around the corner!

Tickets always sell out to this Tulsa tradition. You better make reservations as soon as possible by calling (918)746-5065. We really are selling out fast.

Also coming up: Auditions for the next show! Julie Tattershall and I are co-directing Shakespeare’s Love’s Labour’s Lost. Auditions for this Clark Youth Theatre production are Saturday, December 1st at 3 pm at the Henthorne PAC. Performances are Feb. 22-23, Mar. 1-2 at 7:30pm and Sundays Feb. 24 and Mar. 3 at 2:00 pm.

Don’t know Love’s Labour’s Lost? Well let me tell you about it!

The King and three noble friends make a solemn vow that they will give up the company of women to devote themselves to study for one year. Whoops!  The Princess of France and her three lovely companions arrive the next day. Clark Theatre performs Shakespeare’s comedy with a tuneful twist, giving it the sound and feel of the Golden Age of Musicals.

If you know me, you know that I’m all about two things: Shakespeare and the Golden Age of Musicals. I’m excited about combining the two into a brilliant show – but I need you to join us for auditions! You know you want to!

Move On

Cover of "The Best Christmas Pageant Ever...

Next!

Jack and the Magic Beans had it’s final performance today at the Mary Glass Performing Arts Center in Owasso. It’s always bittersweet to see a show wrap up, but it’s a vital part of this whole “live-theatre” thing. Nothing lasts forever, but we learn from it and grow with it and move on.

Auditions for the next show I’m directing, The Best Christmas Pageant Ever, were held today. This is Clark Theatre’s 27th year of this classic production. I spent nine years in the production myself as a kid. Today was an out of body experience to be behind the table – almost like time was folding in on itself. Was it really that long ago?

I’ll make calls for callbacks tomorrow, but I’m also inviting those who couldn’t make it to today’s audition to join us. That means some of my Jack cast will come out – can’t wait to see what they bring to the table. The final cast list will be notified and posted by Tuesday – our first read through is on Thursday.

Callbacks are Monday night at 7 pm at the Henthorne PAC. Looking forward to seeing you there.

There Are Giants In The Sky

The show and die are cast. The cast of Jack and the Magic Beans meets again tonight to begin blocking.

I have the perfect place for it, and better lighting, I promise.The kick-off party for the Henthorne Performing Arts Center, home of both Heller and Clark Theatres, was splendid. If you missed it, you really missed it. Great food, great entertainment, great company, and a silent auction to support the councils. I was lucky enough to walk away with an original piece from the auction, painted by Kolby Anderson.

Last year’s auction I took home this beautiful hand-made pottery by C.J. Wells from 3rd Street Clayworks studio and gallery. I have enjoyed it as the centerpiece of our dinner table for a year now. 3rd Street Clayworks, C.J. Wells

I love these two pieces for much more than their aesthetic. They serve as a reminder to me. Bidding on something at the auction is a great way to support the theatre where I grew up. I’ve learned so much from my time there, and I continue to learn more everytime I return. It’s a gem in Tulsa, Oklahoma. I’m proud to be a part of it.

If you haven’t seen a Heller/Clark show – you really must. Most recently Max and I went to see the Heller Shorts Festival. If you would like to read reviews, I can direct you to this one and this one. The gist of it is that Heller has always celebrated new writers and performers, and the shorts festival is just one more way they continue to do it. It sells out every year and it’s no surprise – the talent is outstanding!

You can purchase season tickets to Heller/Clark shows by calling (918) 746-5065.

Don’t Say “Yes” Until I Finish Talking

Going to the directors chair is thrill. I’m thrilled to be able to announce that in addition to The Best Christmas Pageant Ever (produced by Clark Youth Theatre at the HPAC) I have accepted another directing contract for Owasso Community Theatre’s Jack and the Magic Beans, written by Vera Morris.

Owasso Community Theatre Presents
Auditions for Jack and the Magic Beans 

Saturday, August 18th at 2:00pm
Monday, August 20th at 6:30pm

First United Methodist Church Owasso
13800 E 106th Street North

Ages 6 to 18
THIS IS OCTC’S ALL KID PRODUCTION!
No preparation required.
Please fill out the Audition/Liability Form and
bring it with you to auditions. Audition & Liability Form

Performances will be October 4th, 5th and 6th at the Mary Glass PAC.
Jack and the Magic Beans is produced by special arrangement with Pioneer Drama Company.

Exclusive VIP blogger insider-info: I’m looking for a dedicated ensemble that can become a well-run machine for this show. Tell your friends. I’m looking forward to seeing the diverse talent that comes to auditions. We will do cold reads and some floor games to warm up. Come in clothes you can move around in.